Thursday, December 17, 2009

Tonight I was watching the Mentalist on CBS, in which we see flashbacks to his carney past... in one we see him use a crystal to heal a blister. How?



Blister Heal
http://www.askapastor.org/blister.html

Episode: Throwing Fire - While examining a crime scene where a baseball scout is found, a ball hits Jane in the head on the next episode of The Mentalist.
http://video.tvguide.com/The+Mentalist/The+Mentalist++Throwing+Fire/3247672?autoplay=true

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Summary: With a blister clearly visible on his/her finger, the leader demonstrates an old wive's tale for remedying such a condition. The blister disappears! Everyone learns how to do this trick!

The Simple Set-Up: Stop at the hardware store and purchase enough small washers so that everyone can have one. The washers should have a very small opening (about the diameter of a small blister).


Just before starting this demonstration, secretly lay one of the washers flat on the tip of your index finger and push down with the thumbs of both hands. When you remove the washer, there should be a mark that looks just like a blister. Hide the washer from view.



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The Activity:


As your lips kiss the blistered finger. . .


Say: Have all of you had a blister at one time or another? I've got a big one! Look at it!


Hold up your finger and/or walk around the room letting them get a close look at the fake malady.


Ask: Shall I pop it? Maybe if I just squeeze it. . . No wait. I once read of an old wives' tale about how to take care of these. It had something to do with ear wax and relaxation. Let's see. . . I'm suppose to take some ear wax from one of my ears and rub it on the blister. Wait I need a little more wax. Then I'm suppose to get in a completely relaxed state (pause). That should do it! Look it works!


Dig around in your ear once or twice with the index finger of your non-wounded hand and apply the "wax" to your wound. As you rub and press down on the wound, you'll find that the indentation from the washer will begin to disappear. Let your head go back in a comatose state as you seek to relax. When you look down and see that the blister is gone, hold up your hand and/or walk around to show everyone the healing power of ear wax plus relaxation.


Distribute the washers and teach everyone how to create this little bit of magic.



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Use this activity to teach about the following themes:



*God is Calming (Matthew 11:28-30)

Ask:

*What tricks have you found to help you relax?

*What trick to relaxing can you find in the above verse?

*What do you find most relaxing about God?




*God is Gross (Ezekiel 16:3-15; II Kings 6:24-30)

Ask:

*What does something need to like before we'll label it "gross?"

*Do the verses above qualify for such a label? Why or why not?

*What do they tell you God is like?




*God is Hurtful (Proverbs 27:6; Hebrews 12:6)

Ask:

*When does God hurt us according to the above verses?

*Have you felt Him hurt you? When?

*Are you glad He hurts you? Why or why not?


This is from a fantastic website on bible study and Christrian teachings. But note!
Copyright 2000. Dave Arch. All rights reserved.


FD: Why would a pastor copyright a carney magic trick?
Simple. Good Magic is not a trick. It is a mental illusion. A mental picture.
A mental manipulation of the viewer...Visualize a minor miracle: Heal a small heat blister.
In this episode, Jan does a mental reading trick.
What was it? How was it done?
Why was it done?

Wednesday, December 2, 2009

Fox News picked it's Top Magicians for 2009 this week...

http://www.foxnews.com/entertainment/2009/11/27/favorite-magicians/?utm_source=feedburner&utm_medium=feed&utm_campaign=Feed%253A+foxnews%252Fentertainment+%2528FOXNews.com+-+Entertainment%2529


David Copperfield
This week the 2009 World Magic Awards aired on MTV, and while prestidigitation sometimes gets a bad rap (OK, we admit Doug Henning did not do much for the industry's hip factor), in our minds, the thrill of illusion doesn't get the credit it deserves.

We saw David Copperfield perform in the '80s. He made a motorcycle — with him on it — disappear from the stage and reappear in the middle of the theater on a platform that covered a few rows of seats about 20 feet away from us. Now we get that there was probably a stunt double onstage, but there was NO accounting for the bike. People nearby were touching it and the chairs below it. It was not a hologram or mirror trick. There was no trap door in the floor and nothing suspended from the ceiling — just a 650-pound chopper carrying the Master of Illusion himself. It blew our minds.

To us, all the current-day spellbinders owe a huge debt of gratitude to Copperfield. And while many of the performers' presentations can be a bit cheesy, we are big fans of the art. Here's our list of our favorite magicians EVER!


Siegfried & Roy

It's a life-long question that only Hall and Oates can relate to — which one is Siegfried and which one is Roy. The answer is simple: it doesn't matter. One would not be a success without the other. Siegfried Fischbacher and Roy Horn met on a cruise ship where Siegfried was a magician. Roy (the dark-haired one, for those who are still curious) joined him as his assistant and upped the ante by adding a cheetah to the act (Roy had allegedly smuggled the wild animal onboard the ship). The German-born magicians ultimately became a staple of the Las Vegas magic scene, signing a lifetime contract with Steve Wynn's Mirage Hotel.

But things went terribly wrong on Roy's birthday in 2003. That night, one of their legendary white tigers, Montecore,grabbed Roy by the neck, seriously injuring the illusionist. There are many theories about what happened that night. Some say Montecore tried to protect Roy when he stumbled, in a protective mother/cub kind of way. Some say it was a brutal attack by a wild animal. Still others contend that Montecore got distracted by the oversized hairdo of a fan in the front row, and that when the woman reached out to pet the dangerous feline, Roy sacrificed himself by getting in between them. A final theory holds that Montecore, injured by a trap door, was scared and accidentally injured Roy in a pileup with the tiger and some stagehands.

Whatever Montecore's motivation, the illusionist was in critical condition for weeks and suffered partial paralysis as the result of a stroke. The act was put on hold for five years while Horn went through intensive rehabilitation. But six years later, Roy proved to the world — and the tiger —that it was all water under the bridge. In a ten-minute performance filmed for "20/20," Siegfried, Roy, and Montecore performed together one last time before officially retiring.

Doug Henning

Doug Henning was a Canadian il-LUUU-sionist who brought a truly theatrical flair to his work (and his stage clothes). The Houdini hippie created a live stage show in the early '70s directed by fellow Canuck Ivan Reitman; Henning later brought the Tony-nominated show to Broadway. His magical routines soon became an annual network television event called "Doug Henning's World of Magic." He also created stage effects for such performers as Michael Jackson and Earth, Wind, and Fire.

But Doug never had a chance to see his biggest dream materialize. The project, called Maharishi Veda Land, was the brainchild of Henning and the founder of Transcendental Meditation, Maharishi Mahesh Yogi. A Disneyland for the spiritually attuned, the destination location was to combine theatrical illusions and technology with the teachings of sacred Hindu texts. The thought that such a place could exist and succeed sounds implausible to us. But in the words of Henning, "Anything the mind can conceive is possible. Nothing is impossible. All you have to do is look within, and you can realize your fondest dreams."

David Blaine

In the mid '90s, David Blaine looked like he was on the fast track to becoming a legendary magician. His first TV special, "David Blaine: Street Magic" was a SERIOUS mind-freak (take that Criss Angel!), and his quiet and thoughtful demeanor was often spellbinding. Then he became a stunt magician, constantly trying to one-up himself with endurance tests: being buried alive, freezing himself in a block of ice, and standing inside a plastic box on a pillar. Was this magic or a way to avoid getting a real day job?

Either way, we can pinpoint the moment when David Blaine crossed over from being cool to being odd, and it wasn't even in his control. During Michael Jackson's still inexplicable 2002 VMA acceptance speech for what he thought was the Artist of the Millennium Award (it was, in fact, a sparkly decoration on a birthday cake), MJ said these simple words, "David Blaine, your magic is real, and I believe in you." Not exactly a career-building character reference.

Penn & Teller

Penn & Teller are often called the "Bad Boys of Magic." Penn Jillette (the loud, tall, funny one) and Raymond Teller (the short, silent, creepy one) are known for their gory, macabre tricks that combine illusion, comedy, juggling, and mime with a touch of politics. They describe themselves as "a couple of eccentric guys who have learned how to do a few cool things." Their act includes a strait-jacketed Penn hanging over a bed of spikes, Teller's run-in with an 18-wheeler, knives going through hands, and the ultimate version of the bullet trick, in which they both simultaneously fire guns and catch each other's bullets in their mouths.

"Penn & Teller: Bulls#*t!," their Showtime TV series now in it's fifth season, exposes fraud and fakes and debunks the myths from everything to New Age healing and relaxation techniques to alien abductions. Personally, we think that Penn's best illusion was making himself disappear after week one of his stint on "Dancing with the Stars."

Harry Anderson

You might know Harry Anderson from his days as Judge Harold Stone on "Night Court," but he's actually quite an accomplished magician. In fact, he got his start as a kid doing card tricks and shell games on the street and doing gigs at Hollywood's legendary Magic Castle. That honor led to a recurring guest spot on "Saturday Night Live," which won him the role of Harry "The Hat" Gittes on "Cheers." From there, he went on to "Night Court," playing the wacky judge who's an amateur magician obsessed with Mel Torme (two character traits shared by Anderson that the creator claims were coincidental).

Then, after playing a fictionalized version of humor columnist Dave Barry on "Dave's World," Harry left the TV spotlight and returned to his first love: illusion. He moved to New Orleans, where he opened a curiosities shop called Sideshow and a nightclub named Oswald's Speakeasy. Sadly, he and his family left New Orleans after the devastation of Hurricane Katrina. Anderson still tours as a magician and regularly hosts magic conventions.

Lance Burton

Since his first magical moment as an audience volunteer at age five, Lance Burton has been fascinated with the art of prestidigitation. His first bewitching moment in the spotlight should have been the sign that he would go on to have a career in illusion. Only one week after moving to Los Angeles, he made his first appearance on "The Tonight Show." Magic fan Johnny Carson was so impressed with the young man's talent, he gave him an unheard-of 12 minutes of air time. No one would have suspected then that he would grow up to be the most famous magician on the Vegas Strip. After long runs at the Folies Bergere and the Hacienda Hotel, Burton settled into his new home, signing a 13-year contract with the Monte Carlo Resort to work his magic in the Lance Burton Theater. If you find yourself in Sin City anytime soon, check out his newest illusion: the $10 million "Solid Gold Lady."

Neil Patrick Harris

Neil Patrick Harris, an amateur magician, has said that his tricks are better suited for the talk show circuit than a club. He's performed his sleight of hand on "Late Night with Jimmy Fallon," "The Late Show with David Letterman," "The Tonight Show with Jay Leno," and "The Ellen DeGeneres Show." His tricks are so impressive that he managed to cast a spell on the powers that be at the Magic Castle, who invited him to sit on their board of directors — the first celebrity to be so honored since Cary Grant.

Sure, he's hosted the Emmys and the Tonys, but more impressive to fans of illusion, he hosted the 2008 World Magic Awards. Harris, who became a self-proclaimed magic geek as a kid, admits there is a certain nerd stigma to the art, saying, "It's the coolest hobby in the world, but people tend to get into magic because no one would talk to them."

Criss Angel

MTV has dubbed Criss Angel "the post-modern Houdini." The star of the A&E series "Criss Angel Mindfreak" is a bit too pretentious for our tastes. But he has been named Magician on the Year five times in a row, the first illusionist to achieve that honor. Plus, he can levitate, walk on water, and cut himself in half. And as a self-proclaimed escapologist, he has freed himself from strait-jackets and imploding buildings and even got run over by a steamroller while laying on a bed of glass. Maybe Perez Hilton is not a fan (he tweeted during a performance of Angels' Vegas Cirque du Soleil show, "Believe," that he'd "rather be getting a root canal"), but his "Loyals" — the nickname of his hardcore "Mindfreak" fans — would follow him to the ends of the earth, or at least to his latest "Mindfreak: Secret Revelations" book signing.

Ed Alonzo

If Ed Alonzo looks familiar and you're not a magic fan, you must have loved "Saved by the Bell" when you were growing up. Alonzo played the owner of everyone's favorite hangout, The Max (which was also his character's name). After guest-starring roles on other sitcoms, he started doing a comedic magic act at the Great America theme park in Santa Clara, California. Ed's continued to work his magic on TV and in live venues and recently designed and performed illusions in Britney Spears' big comeback — her 2009 Circus Tour – but unfortunately he couldn't make the lip-syncing rumors disappear. Sadly, Ed didn't get the chance to join Michael Jackson during his planned London concert appearances, but he did witness Jackson's final rehearsal just before the King of Pop's untimely death.

Sunday, October 11, 2009

Japanese Street Magician showing the LEAN LOW trick...

Watch this Japanese illusionist/street magician at work.
Apparently he's a young guy who disguises himself as an elderly man.

http://www.break.com/usercontent/2006/11/Japanese-Street-Magician-185215.html


For $700 you can lean like him... and the cost of mailing a pair of shoes to be rigged.
http://www.malloymodernmagic.com/the_lean.htm

Penn and Teller reveal Cups and Balls on The View

Penn and Teller Magic is always Edgy... Why magic works and is this your card?

CLICK THESE LINKS TO SEE THEIR ROUTINE:

Penn and Teller's Reveal of another illusion...

http://www.youtube.com/watch?v=UYTmEVFL_NA

Johnny Carson: Dom DeLuise Egg Trick


http://www.milkandcookies.com/link/138148/detail/


Okay, let's face it... every Thanksgiving dinner table needs a little excitement. What could be more exciting than a flying pie pan and an egg falling into a glass of water? Get ready for some fun! The goal is to get the egg into the glass of water but there are a few obstacles... a pie pan and the fact that the egg is perched high atop a cardboard tube. Sir Isaac Newton might have to come to the rescue of this amazing table trick.

Monday, March 30, 2009

The Paranormal is magic, but Magic is NOT Paranormal....

Skeptic James Randi Remains
Doggedly Opposed
to Any Claims of the Paranormal


In-depth interview with Skeptic, James Randi, examines his conviction that all claims of telepathy, survival of consciousness and psi are unfounded. Del Mar, CA, September 18, 2007 – Join host Alex Tsakiris when he interviews noted Skeptic James Randi. During the 40-minute interview

Randi repeats his assertion that all claims of paranormal phenomena that don’t pass his million dollar test are suspect: “…why isn’t someone like Sheldrake coming after it? He stays away from it because, in my estimation, he knows full well that this business of being stared at, and/or the dog that know when its owner’s coming home will not pass any test. Now if it will pass the test I’ll give him the million dollars. I’ll give it to him in the middle of Piccadilly Circus naked.”

Mr. Randi also explains how his background as a magician gives him a unique perspective on how scientists can be deceived, or deceive themselves.

The interview is available for immediate free download at: www.skeptiko.com/index.php?id=37.

James Randi is a retired professional magician (“The Amazing Randi”), author, lecturer, amateur archaeologist/astronomer. He was a founding fellow of the Committee for the Scientific Investigation of Claims of the Paranormal (CSICOP) and founder of the James Randi Educational Foundation (JREF.org).

About Skeptiko Skeptiko is the first scientifically oriented Podcast exploring new research in controversial areas of science such as telepathy, psi, parapsychology, near-death-experience, reincarnation, and after-life encounters.

Each episode features open, honest debate on new scientific discoveries. The show includes interviews with top research scientists and their critics.
Contact:Alex Tsakiris, 858-952-1198 Email: alex@skeptiko.comhttp://www.skeptiko.com

Wednesday, March 25, 2009

What can Magicians teach us about our brains?

A magician tosses a ball into the air once, twice, three times.
Suddenly, the ball vanishes in mid-flight.
What happened?

Don’t worry, the laws of physics haven’t been broken. Magicians do not have supernatural powers; rather, they are masters of exploiting nuances of human perception, attention, and awareness. In light of this, a recent Nature Reviews Neuroscience paper, coauthored by a combination of neuroscientists (Stephen L. Macknik, Susana Martinez-Conde, both at the Barrows Neurological Institute) and magicians (Mac King, James Randi, Apollo Robbins, Teller, John Thompson), describes various ways magicians manipulate our perceptions, and proposes that these methods should inform and aid the neuroscientific study of attention and awareness.Magicians Secrets RevealedThe underlying concept of using quirks in human perception to learn about how the mind works is an old one. Visual, auditory and multisensory illusions, in which people’s perceptions contradict the physical properties of the stimuli, have long been used by psychologists to study the mechanisms of sensory processing. Magicians use such sensory illusions in their tricks, but they also heavily use cognitive illusions, manipulating people’s attention, trains of logic and even memory. Although magicians probably haven’t studied these phenomena with the scientific method—they don’t do controlled experiments—their techniques have been tested over time, perfected by practice and performed under conditions of high scrutiny by skeptical audiences looking to spot the trick.An example of a visual illusion used by magicians is spoon bending, in which a rigid horizontal spoon appears flexible when shaken up and down at a certain rate. This effect occurs because of how different parts of objects (in this case, the spoon) are represented in the brain. Certain neurons are responsive to the ends/corners of the object, whereas others respond to the bars/edges; the end-responsive neurons respond differently to motion than do the bar-responsive neurons, such that the ends and the center of the spoon seem misaligned when in motion. Attention can greatly affect what we see—this fact has been demonstrated in psychological studies of inattentional blindness. To misdirect people’s attention and create this effect, magicians have an arsenal of methods ranging from grand gestures (such as releasing a dove in the theater to distract attention), to more subtle techniques (for instance, using social miscues). An example of the latter can be found in the Vanishing Ball Illusion described at the start of this column. At the last toss, the magician does not actually release the ball from his or her hand. Crucially, however, the magician’s gaze follows the trajectory the ball would have made had it been tossed. The magician’s eye and head movement serves as a subtle social cue that (falsely) suggests a trajectory the audience then also expects. A recent study examining what factors produced this effect suggests that the miscuing of the attentional spotlight is the primary factor, and not the motion of the eyes. In fact, the eyes aren’t fooled by this trick—they don’t follow the illusory trajectory! Interestingly, comedy is also an important tool used by magicians to manipulate attention in time. In addition to adding to the entertainment value of the show, bouts of laughter can diffuse attention at critical time points.Magicians can also manipulate the audience’s memory, thus making it difficult to mentally reconstruct what happened. In the cognitive science literature, it is now established that providing misinformation about past events can reduce memory accuracy and create false memories, a fact magicians have intuitively known for centuries. Consider this trick: a person is shown pairs of photographs and asked to choose the more attractive face. After he makes a choice, the magician slyly switches several of the chosen faces for the rejected faces. Then, the subject is asked to explain his preferences. According to a recent experiment, even when people are shown faces they rejected, they still tend to invent explanations for why that face was more attractive. In other words, they make up a false narrative to explain away the sleight of hand they couldn’t detect. Magic’s Role in NeuroscienceCognitive neuroscience can explain many magic techniques; this article proposes, however, that neuroscientists should use magicians’ knowledge to inform their research. For example, perhaps cognitive scientists could have learned about important false memory effects earlier if they had considered magicians’ intuitions on the topic.
More concretely, the use of cognitive illusions—for example, during brain imaging—could serve to identify neural circuits underlying specific cognitive processes. They could also be used to map neural correlates of consciousness (the areas of the brain that are active when we are processing a given aspect of consciousness) by dissociating activity corresponding to processing of actual physical events from the activity corresponding to the conscious processing.
Indeed, scientists too often become too entrenched in their own circumscribed area of expertise; they do need reminding that a wealth of insight can be found in unexpected places. Recently, there has been an increasing acknowledgment by the scientific community of the insights that artists have had throughout the history about human perceptual mechanisms. For example, painters intuitively knew about pictorial depth cues and opponent processes in color perception long before these notions were established in vision science.
We wonder though, how practical this idea of using magic in research will turn out to be. Magicians spend years perfecting their skills. Will researchers be able to perform such tricks adequately? And most crucially, other than this paper’s magician coauthors, will magicians give their secrets away to researchers?
Are you a scientist? Have you recently read a peer-reviewed paper that you want to write about? Then contact Mind Matters editor Jonah Lehrer, the science writer behind the blog The Frontal Cortex and the book Proust Was a Neuroscientist. His latest book is How We Decide.
ABOUT THE AUTHOR(S)Robyn Kim is a graduate student in the Shams Lab at the University of California, Los Angeles. Ladan Shams is professor of psychology at the University of California, Los Angeles.

Wednesday, January 14, 2009

I am toying with what this Blog should be about..

http://en.wikipedia.org/wiki/Super_Chair_Suspension

When I was looking for material on how to demonstrate the Center of Gravity concept for my Physics students, I discovered that Wikipedia "explains" or "reveals" some tricks or illusions.

I am not too interested in becoming the next "Masked Magician" and show you have the trick is done....